Category Archives: Drama

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Philomena

A world-weary political journalist picks up the story of a woman’s search for her son, who was taken away from her decades ago after she became pregnant and was forced to live in a convent.

Lovely and enjoyable movie about a heartbreaking true story.

Though some poetic license was taken (as well as some unnecessary editorializing), the basics of the story are intact. A young woman, naive about the birds & bees, finds herself pregnant out-of-wedlock – something shameful in the ’50s, and even worse for a Catholic girl in Ireland. Philomena Lee (Dench) is sent to a convent, where she will give birth & do her penance by working off her ‘debt’ to the nuns for 4 years.

After their children are born, the fallen women are allowed to see them only for brief visits always knowing that at any time the children could be adopted out. Anthony is taken away when he is 3 years-old, leaving a devastated Philomena to get on with her life.

Though she never stops thinking of him, and tries through the years to track him down, it is 50 years before she gets any satisfaction. Finally unable to suppress the longing, she tells her daughter about the boy who was taken from her all those years ago. Her daughter tells a journalist (Martin Sixsmith, portrayed by Steve Coogan) The journalist takes up the cause, throwing his considerable resources behind the hunt.

Though the story is fairly well known, and so you may already know how it ends, the beauty of this telling is not in the destination, but the journey. We get to know Lee and Sixsmith as they travel together in search of answers. In the featurette I’ve linked below they mention how the humor of their relationship makes the heart-wrenching search easier to take. It does.

It also gives Dench an opportunity to show why so many accolades and awards have been heaped upon her. The supporting cast here is fine, but it is clearly the Dame’s show.

This rates highly on the Word of Mouth Scale for having relatable humor and an accessible storyline. There are a few in my circle who would find it too “wordy”, but not every film can have be a Jason Statham shoot-’em-up. 🙂

Go ahead and see this one – odds are high you will like it.

Rotten Tomatoes: Critics 92%; Audience 90%

FairyTale: A True Story (1997)

Posted on September 17, 2013 by Vox AZ

Fairy Tale: A True Story

Based on factual accounts, this is the story of two young girls that, somehow, have the ability to take pictures of winged beings… which certainly causes quite a stir throughout England during the time of the first World War. Everyone, except the girls who think it’s quite normal, is excited about this “photographic proof” that fairies exist… even the great Sir Arthur Conan Doyle and Harry Houdini pay the girls a visit.

Written by BOB STEBBINS

I am familiar with the story of the Cottingley Fairies, and so I was quite keen to see this film. I find it fascinating that two children were able to perpetrate a hoax that fooled not just family & friends, but a nation – and several experts in photography…and spiritualism. Sir Arthur Conan Doyle was one of their earliest, and most consistent, proponents.

The movie presents our young fairy hunters as younger than the real Elsie Wright and Frances Griffiths, and slightly closer in age. It is a bit of understandable artistic license, hard for modern audiences to imagine a 16 year-old embracing the wonder of fairies.

The visuals are quite beautiful, colorful and deliciously saturated. I really enjoyed seeing two of my favorites, Harvey Keitel as Houdini and Peter O’Toole as Conan Doyle, among this fine cast.

It is a magical children’s movie with a more serious backdrop, so it remains entertaining for adults, as well.

Bonus: Paul McGann plays Elsie’s father, and it’s always nice to see him 🙂

Rotten tomatoes: Critics 52%; Audience 62%

Penny Serenade (1941)

Posted on April 5, 2013 by Vox AZ

Penny Serenade

As Julie prepares to leave her husband Roger, she begins to play through a stack of recordings, each of which reminds her of events in their lives together. One of them is the song that was playing when she and Roger first met in a music store. Other songs remind her of their courtship, their marriage, their desire for a child, and the joys and sorrows that they have shared. A flood of memories comes back to her as she ponders their present problems and how they arose.

One of my favorite tear-jerkers of all time, starring one of my favorite screen couples. “Penny Serenade” always puts me through the ringer, even though I have seen it a dozen or so times. It can still make me cry and, thankfully, it can still make me laugh.

The music-stirring-memories plot device makes for a lovely soundtrack, as well as our main characters’ meet-cute. We start the film knowing that Julie and Roger are ending their marriage. We learn through flashbacks everything they’ve faced and why they feel it is so hopeless now.

The cast is full of top-notch talent, the writing is solid, the direction stellar. As melodramatic a film as this, though, would have floundered with lesser performers in the main roles. Cary Grant is at his charming best, Irene Dunne could tell the entire story with just her face. Together, in this movie and others, they have a chemistry so winning, you can’t help but be drawn in to their world.

There are some standout scenes; baby’s first bath, Roger’s impassioned plea to the judge… However, it is the whole of the movie that makes it great.

If you enjoy an old movie now & then, and you don’t mind your companions seeing you cry, do yourself a favor and catch “Penny Serenade” It is available at many libraries – and even on YouTube.

Rotten Tomatoes: Critics 93%; Audience 74%

Speaking of the Cary Grant / Irene Dunne chemistry, I found this video that was made for a contemporary song, using some of the sweetest, kissiest moments from Penny Serenade

Magic Mike (2012)

Posted on December 13, 2012 by Vox AZ

Magic Mike

Set in the world of male strippers, Magic Mike is directed by Steven Soderbergh and stars Channing Tatum in a story inspired by his real life. The film follows Mike (Tatum) as he takes a young dancer called The Kid (Pettyfer) under his wing and schools him in the fine arts of partying, picking up women, and making easy money. — (C) Warner Bros.

I figured I’d watch this one eventually, though I was in no hurry. Still, it got some great reviews so I assumed it would be worth the time. I was wrong.

There is not enough dancing to make this a fun, musical romp. Were it to focus more on the club & dance routines, I could at least appreciate it on that level. By trying to add some deeper, dramatic narrative, they set the bar higher . . .

. . . and fell far short.

This is not a convincing drama. It is not compelling love story. Perhaps if they had spent less time on the club & dance routines, they could have focused on telling a good story.

In far too many scenes the dialogue just d-r-a-g-s along, as if the actors are doing a lazy table-reading and keep losing their places on the page. There are some fine actors in this cast, yet they are so poorly used that McConaughey (who built his career on wooden, one-dimensional characters) actually gives the most convincing performance.

The major players in this drama repeatedly make bad decisions, making it very difficult to care what happens to them in the end. Even our “hero” is unlovable for any reason beyond his ripped body and accomplished dance moves.

We are supposed to care that Mike wants to make furniture out of junk, but we never see enough of that side of him to believe it – and the finished pieces they show are pretty blah. We are to feel for his plight trying to save money for, and get a loan toward, this dream – but we don’t know what he actually needs money for. More junk? We are to just accept that while he is alley catting around, he is somehow finding love with a chick that he repeatedly disappoints – and with whom he has zero in common.

Can’t really imagine recommending it to many folks, so based on the Word of Mouth Scale it get half a star.

Rotten Tomatoes: Critics 80%; Audience 63%

The Women (2008)

Posted on December 9, 2012 by Vox AZ

The Women

A wealthy New Yorker leaves her cheating husband and bonds with other society women at a resort.*

This was another movie I never intended to see. But, it was on …

First, the glaring issue running throughout the film – it is a cautionary tale about bad plastic surgery. Several of the women in this cast were, at one time, considered attractive to some degree. Unable or unwilling to age gracefully, they have undergone procedures that have turned them into caricatures. Scary, rubber-faced caricatures.

Now, to the film itself – also a scary caricature…of the far superior movie it claims to update.

Meg Ryan plays Mary Haines as a ditsy, uninvolved, overwhelmed mother. It’s hard to feel any empathy for her, which makes the story arc a tough sell, indeed.
Annette Bening is a grating Sylvie Fowler, a poor echo of the positively caustic Sylvia from the other versions.
Eva Mendes‘s Crystal Allen seems barely appealing enough for a one-night stand, let alone worth leaving your family for (except that Meg Ryan plays the wife as ridiculously unappealing, too)
Debra Messing is Edie Cohen, playing her as a schlumpy, goofy earth-mother. Hard to believe how Messing could become even less appealing than she has been in other projects, but she managed it here.
Jada Pinkett Smith, always grating, is cast as butch-Lesbian Alex Fisher. Oddly, hers is one of the least irritating characters in the film (which isn’t really saying much with this script)
Bette Midler is cast as Leah Miller, an apparent fill-in for Countess De Lave who, in the original, was both amusing and pivotal. Midler’s character has no purpose in this film. Her inclusion, in fact, was so odd I’d have thought it was spliced in from a different movie if she hadn’t dropped the name “Buck Winston” (the cowhand who wooed Countess De Lave). If they weren’t including the rest of her story-line, there was no reason to have her at all.

The list goes on – and on – and on. I could go through the entire awful cast, the awful butchered script, the bland direction, the ridiculous ending.

Unless you are in the mood for a glaring example of how not to remake a classic, avoid this one.

* This description is from IMDB for this remake, but it describes the original. The divorce resort is not a part of the 2008 version.

The Rotten Tomatoes: Critics 13%; Audience 41%

Lars and the Real Girl (2007)

Posted on December 1, 2012 by Vox AZ

Lars and the Real Girl

Lars (Ryan Gosling) and Gus (Paul Schneider) are the grown children of a father who died recently and a mother who died giving birth to Lars. But as brothers, they couldn’t be more different. While Gus lives in the family home and has a loving wife (Emily Mortimer) and a child on the way, Lars leads a more reclusive existence in the family’s garage, hiding in plain sight of his small, wintry hometown. Painfully shy and eccentric, Lars fails to recognize that his co-worker Margo (Kelli Garner) has a major crush on him, and he picks up on a casual reference made by his cubicle mate, who mentions a website where you can order life-sized, anatomically correct sex dolls. But instead of seeing a sex object, Lars sees in this doll a potential life partner and the only kind of social “peer” he can relate to. So Lars orders a doll, whom he names Bianca, and begins treating her with utmost gentlemanly respect — and as though she’s his real-life, flesh-and-blood girlfriend. As he begins bringing Bianca with him everywhere he goes, the townspeople have to find just the right balance between supporting Lars’ unusual romance and trying to introduce him to a more conventional partner. Lars and the Real Girl was written by Six Feet Under scribe Nancy Oliver and directed by Mr. Woodcock’s Craig Gillespie.

~ Derek Armstrong

I’ve been wanting to see this one for a while, but had a hard time ‘selling’ it to D. After all, “guy falls in love with a sex doll” doesn’t exactly scream quality entertainment. In this case, however, quality entertainment is exactly what we get.

The part of Lars seems written specifically for Ryan Gosling’s delivery; his quiet, quirky, charmingly unsure delivery brings Lars to life for viewers (much as Lars’ affection brings Bianca to life for the townspeople). His pain and growth really come through.

Also particularly well cast is Margo (Kelli Garner, right), whose shy infatuation with Lars has you wishing for his recovery. The lengths to which sister-in-law Karin is willing to go in her attempts to reach Lars in his self-imposed bubble may have been less believably sweet if not for the deft portrayal of Emily Mortimer

The stand out in this very strong cast though was, for me, Patricia Clarkson as Dagmar. She is the doctor who treats “Bianca” in her physical ailments, and Lars in his emotional ones. The role is small and quiet … and absolutely vital. Through her we learn who Lars is and why he is in such pain. Through her (and the other ladies), Lars learns who he is and how to deal with his pain.

So, we have a movie about death, and pain, and sex-dolls…and I am going to recommend it to most of my friends. It is lovely and sweet and explores what relationships mean to us – with family, with friends, and with that special someone (or something?) to whom we give our heart.

Rotten Tomatoes: Critics 81%; Audience 83%

The Way (2010)

Posted on November 14, 2012 by Vox AZ

The Way

A father heads overseas to recover the body of his estranged son who died while traveling the “El camino de Santiago,” and decides to take the pilgrimage himself.

I’ve been a fan of Martin Sheen‘s smaller, quieter work since I saw him decades ago in Sweet Hostage. He is best when he is acting least, and playing a father mourning the loss of his son fit him like a glove.

As Tom (Sheen) makes his physical journey, he is making an emotional journey, as well. Along the way he meets fellow “pilgrims”, each with their own story. Some he meets for only a moment, some join him on his travels; Joost (Yorick van Wageningen), the sweet, sad-sack from Holland; Jack (James Nesbitt), the bold and brash travel writer from Ireland; Sarah (Deborah Kara Unger), obnoxious, judgmental Canadian.

The film treads gently through the poignant moments, giving us some laughs to lighten the mood. The location shots are beautiful and Emilio Estevez‘s direction is reverent. This movie also did more to inspire me to travel than anything I’ve seen since Shirley Valentine planted the “must see Greece” seed decades ago.

The story won’t be for everyone, I think a certain maturity will be necessary to appreciate it. Most of those in my circle are out of their teen years, though ;-), so I will be recommending it to most of them.

Rotten Tomatoes: Critics 82%; Audience 83%