Category Archives: Ratings

Shirley Valentine (1989)

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Shirley Valentine

Shirley’s a middle-aged Liverpool housewife, who finds herself talking to the wall while she prepares her husband’s chip’n’egg, wondering what happened to her life. She compares scenes in her current life with what she used to be like and feels she’s stagnated and in a rut. But when her best friend wins an all-expenses-paid vacation to Greece for two, Shirley begins to see the world, and herself, in a different light.

One of my favorite flicks for many reasons. It completely reinforces my trip to Greece fantasy. It illuminates the drawbacks of a small life, and highlights the options. It makes being “of a certain age” seem a bit more palatable. It has several laugh out loud lines, along with all the chuckles. It also has a great message and some very touching moments. It has gorgeous scenery. It has Tom Conti ๐Ÿ˜€

Shirley Valentine is an anthem to the freedom of the soul–with a generous dose of salt of the earth.

I have yet to see Mamma Mia, but I doubt it will replace Shirley Valentine on my “chick flick set in Greece” list. The only reason it doesn’t get the full five stars is because of the chick-flickiness….and some bad language…and nudity.

If you haven’t yet seen it, rent it soon. You may not love it as much as I do, but you are sure to be entertained.


Rotten Tomatoes: Critics 73%; Users 76%

Baby Mama (2008)

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Baby Mama

Baby Mama

Successful, single businesswoman Kate Holbrook has long put her career ahead of a personal life. Now 37, she’s determined to have a kid on her own. But her plan is thrown a curve ball after she discovers she has only a million-to-one chance of getting pregnant. Undaunted, the driven Kate allows South Philly working girl Angie Ostrowiski to become her unlikely surrogate.

Simple, predictable, treacly premise…in anyone else’s hands. In the hands of Fey & Poehler, it is a hit. It definitely manages to touch a nerve, but with humor. Combine Fey’s wit with some great casting and you are guaranteed a good time.

Poehler’s Angie was a bit over-the-top (is there ever a time she isn’t over the top?) but the obnoxious behavior at the outset is necessary to illustrate the journey her character, and Fey’s, travels.

Greg Kinnear always adds to a movie and this is no exception. When I see him on screen I know I will enjoy his performance, even if the rest of the movie sucks.

A nice surprise is Romany Malco as the over-involved doorman – with a heart of gold ๐Ÿ˜‰ Even with all the lines she gave him, the part could have been a throw-away in lesser hands (or, more likely, considerably overplayed) He keeps you laughing

Steve Martin is one of my faves, more as a writer than a performer, and his part here seems more stunt (or homage) than anything else. It works fine, but was unnecessary. Sigourney Weaver pulls off her bit quite well, though I never really connected to what she was trying to convey – is she a good guy or a bad guy? Compassionate or opportunistic?

In supporting roles we have Maura Tierney (good), Holland Taylor (fabulous), and several SNL alums (fine).

I did have a few nit-picky complaints, though nothing serious enough to be a deal breaker (see below, they’re spoilers). You don’t need to see this on the big screen, though, unless you want to see it NOW.


Rotten Tomatoes: critics 61%; users 69%;

the spoilers: Continue reading →

Iron Man (2008)

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Iron Man

Iron Man

Based on yet another Marvel series, Iron Man has plenty of things going for it, the main assets being an enjoyably sardonic Downey, his hardware, and the downturned mouth of his new metal visage – a warning that this self-styled messiah means business.

~ Tim Robey; Daily Telegraph

 

Just a quick note because I have to get to work: very well done, definitely worth your time to see on the big screen. Not much graphic violence, not much sex, great cast (except Gwyneth Paltrow, and she is fine, not good, but OK)

Robert Downey Jr owns this movie, as usual.


Rotten Tomatoes: Critics 94%; Users 87%

MoZella: I Will (2006)

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MoZella

I Will

Love this album; she is sassy, the lyrics are punchy…or sweet…or both. You can definitely hear the Detroit in her voice, listen on MySpace.

Track listings as follows:

You Wanted Itmy video
Love Is Something
Killing Time – a little rap, a little back beat, a lot of melody and a splash of sass
I Will – sexy and romantic
Amnesia – this is the song that first caught my attention, and ultimately the reason I bought the album. My video & the official video
Can’t Stop – sultry
Messiahmy video
Last $20 – sounds like it comes from experience
Going Home – close to home
What To Say – yeah, also close to home
Light Years Away – she’s getting over it and moving on

I don’t think this is a style that will go over with most of my circle; too spunky for some, too melodic and lyric driven for others. It is part of my permanent rotation on the MP3 player because I love it, but only gets 3 1/2 because I don’t have enough friends to recommend it to (but I made sure those that might be interested gave her a listen).

Amazon: 4.5 stars

Pursuit of Happyness (2006)

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Pursuit of Happyness

Will Smith stars in the inspirational true story of Chris Gardner, a San Francisco salesman who’s struggling to make ends meet. When his girlfriend Linda (Thandie Newton) walks out, Chris is left to raise their 5-year-old son Christopher (Jaden Smith) on his own. Chris’ determination finally pays off when he lands an unpaid internship in a brutally competitive stockbroker-training program, where only one in twenty interns will make the cut. But without a salary, Chris and his son are evicted from their apartment and are forced to sleep on the street, in homeless shelters and even behind the locked doors of a metro station bathroom. With self- confidence and the love and trust of his son, Chris Gardner rises above his obstacles to become a Wall Street legend.

~ from Amazon

 

One of my favorite movies from 2006, and one of the best performances from that year, as well. Truly, if not for The Last King of Scotland, Will Smith would have been the clear favorite at Oscar time. I loved the plot driven movie with a strong message of hope and personal responsibility, and the interaction between Smith and his real life son was quite believable and moving. Perhaps a bit too syrupy for some, I non-the-less recommended this to almost everyone in my circle.


Rotten Tomatoes: Critics 65%; Users 88%

No Country for Old Men (2007)

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No Country for Old Men

Violence and mayhem ensue after a hunter stumbles upon a drug deal gone wrong and more than two million dollars in cash near the Rio Grande.

One of the best movies I have seen in quite a while. From the story to the setting, everything here works.

I was unsure going in whether the choice of Josh Brolin in the lead role was wise, but he seemed custom fit as hapless protagonist Llewelyn Moss. There was no question Tommy Lee Jones would deliver, he always gives solid, understated performances. I had heard (who hadn’t) that Javier Bardem gave a stellar performance as contract killer Anton Chigurh – what an understatement. The guy took creepy to a whole new level.

There were several other wonderful performances, but a huge standout for me was Kelly Macdonald as Llewelyn’s wife. Her portrayal of the loyal, and seemingly meek, Carla Jean was every bit as impressive in it’s ‘smallness’ as was Bardem’s. Their inevitable meeting was one of the classic moments in film.

There were two casting errors to my mind; Beth Grant as Carla Jean’s mother was a bit over the top, and Woody Harrelson as Carson Wells, one of Chigurgh’s rivals, was glaringly out of his league.

However, the choice to forgo a musical score was genius. Rather than directing our emotions and reactions via orchestration, the Coens allow the silence to increase the tension. It was a Hitchcockian decision that makes for some edge-of-your seat moments.


Rotten Tomatoes: Critics 96%; Users 87%

There Will Be Blood (2007)

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There Will Be Blood

There Will Be Blood

A story of family, religion, hatred, oil and madness, focusing on a turn-of-the-century prospector in the early days of the business.

Bill Goodykoontz says on AZ Central:

Paul Thomas Anderson’s instant classic features a performance by Daniel Day-Lewis as an early 20th Century oilman as brilliant as any you’ll ever see. A bleak study of the capitalism and religion, the film is a masterpiece. (R – 158 minutes)

He gives a more detailed review here, and a perfect 5 star rating

This did not strike me as a movie about capitalism & religion, rather it examines greed & corruption. The only untainted characters in this character study are the children. The ‘religion’ is a perversion of some sort of ancient revivalism. Plainview’s quest can only be a study of capitalism if you buy the rhetoric of the left, who would have you believe anyone who sets out to make a better life (and more money) is this type of ruthless, irredeemable monster. But, let’s skip away from Goodykoontz…

Also in The Republic (the old media, printed version of AZ Central) was a review from Marty Richelsoph, a moviegoer in Surprise, who gave it 2 1/2 stars:

…It was nearly painful to watch, with an overwrought musical score and visual set ups to scenes that left me feeling empty. Part of the problem is that the main character is irredeemable as a human being. He is an ambitious sociopath whose actions seemed based solely on ego and avarice…

I agree. Certainly the score was not well conceived. Where the complete lack of music in No Country For Old Men contributed to the tension and overall creepiness of that flick, the overwhelming and ill-fitting music chosen here takes you out of the film.

Day-Lewis gives a fine performance, as he always does, though early on I was wondering what sort of vocal affectation he was working on. As he descends deeper into madness, his skill as an actor becomes more evident. I have often said that playing crazy amid the sane is easy, while playing sane amid the crazy is hard. Here, Day-Lewis’ Plainview is both. The full scope of his derangement always threatening to break through his tenuous facade of ‘normalcy’.

There Will Be Blood was also overlong, incorporating plot lines and characters we have no interest in. This was an adapted screenplay that could have benefited from a bit of judicious editing.

In spite of these flaws, it was still a good movie. Perhaps not the “great” movie I was expecting, I imagine it suffered from too much hype. It may have scored higher on the Word of Mouth Scale if more of my circle were into the type of story told here.

Rated R for some violence, though I don’t recall anything worse than you could see on prime time TV.

Rotten Tomatoes: critics 91%; users 82%

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